QW1ldGh5c3RhOnJlZ3VsYXI=
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
Winds/Chamber
2010
5 minutes
This is my seventh octet. It is a fugue which appears a second time with the melody inverted, followed by a big-sound rendition by the full octet. The performance that you can listen to was by Janet Popesco Archibald and Robin May, oboes, Jose Gonzalez Granero and Joanne Eisler, clarinets, Larry Ragent and Alicia Telford, horns, Dan MacNeill and Shawn Jones, bassoons.
