QW1ldGh5c3RhOnJlZ3VsYXI=
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
Winds/Chamber
2009
5 minutes
This is my fifth octet, with emphasis on rhythm. The performance that you can listen to was by Janet Popesco Archibald and Robin May, oboes, Jose Gonzalez Granero and Joanne Eisler, clarinets, Larry Ragent and Alicia Telford, horns, Dan MacNeill and Shawn Jones, bassoons.
